EXCLUSIVE: Michael Sheen Is NOT In Johnny Depp's 'Dark Shadows,' Says The Actor
Source: http://moviesblog.mtv.com/2011/05/04/dark-shadows-michael-sheen-johnny-depp/
Molly Sims Monet Mazur Monica Bellucci Monica Keena Monica Potter
Source: http://moviesblog.mtv.com/2011/05/04/dark-shadows-michael-sheen-johnny-depp/
Molly Sims Monet Mazur Monica Bellucci Monica Keena Monica Potter

Freshly returned from a family vacation in Mexico with boyfriend Kris Humphries, Kim Kardashian was spotted getting back in the swing of things back home in Los Angeles on Thursday (May 5).
The E! reality hottie arrived at her west coast abode as her driver toted her many bags of luggage back into the house before she headed off to do a bit of shopping at local stores including Chanel.
Tweeting to her millions of fans about making it back home, Kim cheerfully wrote, "So happy to be home from a fun long family vacation! Its been a while since the whole family got together like that! We need to do that more"
Also offering up her well-wishes to those celebrating the holiday, Miss Kardashian wrote, "Happy Cinco de Mayo!!!!!"
Source: http://celebrity-gossip.net/kim-kardashian/kim-kardashian-back-home-mexico-502993
Kasey Chambers Kat Von D Kate Beckinsale Kate Bosworth Kate Groombridge
Marisa Tomei Marla Sokoloff Marley Shelton Mary Elizabeth Winstead Megan Ewing
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Kat Von D Kate Beckinsale Kate Bosworth Kate Groombridge Kate Hudson

It was announced yesterday that President Barack Obama has chosen not to release the photos surrounding Osama Bin Laden?s death.
Sitting down with ?60 Minutes? on Wednesday (May 4), Obama explained to Steve Croft the reasoning behind his decision.
He said, "You know, we discussed this internally. Keep in mind that -- we are absolutely certain this was him. We've done DNA sampling and testing. And, and so there is no doubt that we killed Osama bin Laden.?
?It is important for us to make sure that very graphic photos of somebody who was shot in the head, are not floating around, as an incitement to additional violence," the President added.
Source: http://celebrity-gossip.net/barack-obama/barack-502838
Julie Benz Julie Berry K. D. Aubert Karen Carreno Karolína Kurková
'If time allows, there will definitely be new music,' Robert DeLeo adds of STP's future.
By Chris Harris
Stone Temple Pilots' Robert DeLeo and Scott Weiland
Photo: Charley Gallay/ Getty Images
There are a number of reasons why Stone Temple Pilots decided to reunite after nearly five years apart — some are obvious, and others, not so much.
Of course, the financial windfall of reviving the grunge stalwarts for an extensive U.S. tour was too good to pass up, and bassist Robert DeLeo readily admits as much. And then there are the fans, the ones who had been with STP since the very beginning as well as those who discovered the band only after it first split back in 2003 and who, woefully, have yet to catch the Pilots live.
On a more personal level, though, Stone Temple Pilots' resurrection was purely selfish, and very much an anticipatory (not to mention optimistic) move on the band's part: If, after the months and months of rumors and denials, there ever is a full-on Led Zeppelin reunion tour, STP wanted to be ready to offer their services as an opening act.
"Believe me, that was one of the reasons," laughed DeLeo. "We thought, 'We should get together now, in case Zeppelin does tour.' I'm serious, man. That would be one hell of a bill: STP and Led Zeppelin. I mean, we could play a doghouse, out in the middle of the ocean, and if I got to play with Zeppelin, that would be a highlight of my life."
Yes, DeLeo — and the rest of the band — had several reservations about raising STP from the dead — a feat DeLeo jokingly referred to as "Mission Impossible." For the band's members, the idea of regrouping was terrifying at first, but with time, the boys settled their differences and tried to think positive.
"For me, it was about putting down some of the things that I was used to getting bitten by," explained the bassist — who, with guitar-playing brother Dean DeLeo, has been collaborating with Peter Frampton on material for his next LP. "After you get bitten, it's hard to go back. I wanted to go into this with an open frame of mind and a positive attitude and just have fun with it. We should have fun with it, which God knows we didn't always have with our career when we were younger. If that's all I can say, and that's what I can get out of this reunion, great.
"I think I speak for all of us when I say there's a lot of unfinished business that we didn't get around to the first go," he continued. "Enough time has gone by, and it feels really good to be back. I don't really want to put too much thought into how it feels — I'm just kind of going with it and keeping a good positive attitude about it. I just needed to get over the things that we all needed to get over, and that's been working so far. If everyone shows up and does this thing, I think it's going to be really amazing."
DeLeo claims that during recent rehearsals, STP were "sounding as good as ever," and he credits sobriety as part of the reason the band's in tip-top shape.
"My brother's going on four years of sobriety," he said. "We have a lot more clarity in the band now, and I think with clarity comes appreciation. I saw that the other night, when we played [a secret gig in Los Angeles]. I saw it in my eyes, and in the eyes of the rest of the band. There's a lot more rock in this band now."
As for an STP record, DeLeo is not 100 percent sure that's going to happen. The goal for STP over the next few weeks, he said, is to reacquaint themselves with their songbook and prepare for their return to the road. Once the band is back in that mindset, the bassist said new STP material is very possible.
"I've always got stuff written, and there's always a long list of songs that are always there — it's a matter of timing," DeLeo said. "If time allows, there will definitely be new music. I think it would be silly not to release new music. I'd like to believe we still have a writing relationship, but the first step is getting reacquainted with what we know."
While STP were on hiatus, frontman Scott Weiland teamed up with Velvet Revolver, and the DeLeo brothers joined forces with Filter's Richard Patrick for Army of Anyone — who are now on hiatus after releasing a poorly received self-titled LP. Does DeLeo foresee an AOA reunion somewhere down the line?
"You never know," he said. "It's just like STP — I didn't know if I was going to return. Whether we get back together and do anything, I think we made a great record, bottom line. That's all that matters to me. If we make another one, I want to make sure it's great, and that applies to STP and anything I do. But I was pretty heartbroken over [the feeble response to AOA's album]."
Related Photos Related ArtistsSource: http://www.mtv.com/news/articles/1586020/stone-temple-pilots-reunited-tour-with-zeppelin.jhtml
New track with Nicki Minaj, Ke$ha follows leaked version, plus Brit tweets single's cover art.
By Jocelyn Vena
The "Till the World Ends" Femme Fatale remix
Photo: Jive
Just days after it was leaked on Friday, Britney Spears and her femme fatales, Nicki Minaj and Ke$ha, dropped their official remix of "Till the World Ends."
The new version of the song was produced by Dr. Luke and Dream Machine. Brit half-whispers " 'Till the World Ends' remix" before the beat kicks in and Nicki hits her verse hard. She spits fierce lines like, "Sniff, sniff, cries/ I done slayed your whole entire f---ing life."
Then Britney's sex-kitten vocals kick in for the song's first verse. "That's Britney, bitch! I'm Nicki Minaj and that's Ke$ha," the Queens MC declares before K sings the chorus. The beat is harder, the loops are sassier and the song is grimier than the original version, which was the second single from Femme Fatale. The newly added dubstep portion takes the one from "Hold It Against Me" to a new level by adding in bass-heavy synths.
Ke$ha, of course, wrote the track for Britney, and the ladies certainly don't seem to mind sharing the spotlight with each other. The official track isn't much different than the version that leaked over the weekend, though Spears did have something brand-new to share with her fans just as the song dropped on iTunes and streamed on her website.
Spears tweeted the artwork for the single, which features the original press photo of Spears along with separate photos of Nicki on the left and Ke$ha on the right. Spears wrote, "@NickiMinaj @Keshasuxx Too much fierceness for one cover! Thanks for lending your voices girls... #TTWEREMIX — Brit"
Spears and Minaj have been hanging out a lot in the lead-up to their summer tour. They hung out at the Factory nightclub on Friday night after Minaj's show in Los Angeles. Spears later wrote, "Early rehearsal after a late night with my girl @NickiMinaj. Can't WAIT to get out on the road with you."
What do you think of the "Till the World Ends" remix? Tell us in the comments!
Related ArtistsLindsay Lohan Lindsay Price Lisa Marie Lisa Snowdon Liz Phair
Find out who else made the grade and watch 'Idol Party Live' for more of our performance analysis.
By Eric Ditzian
It's all been building to this, we suppose, an episode of "American Idol" so chock-full of judges' clichés and producers' out-of-nowhere talking points that the show almost became a parody of itself. Suddenly and jarringly on Wednesday, the focus was on nothing but what type of recording artist each singer might become, at nearly the complete expense of critical performance evaluation. And goodness — the reality-show gibberish! All the night, the talk was about who's in it to win it, who's leaving it all up onstage, who's just having fun up there, who's not broke and thus not in need of fixing. Steven Tyler said "it's a beautiful thing" so many times, the phrase almost transcended its own vapidity and became a commentary of "American Idol" itself.
Yet all this is just background noise (however grating it is to hear) and shouldn't distract us from the main attraction: Haley Reinhart owned it last night. Boom! We'd end our "Idol" report card right there, giving her two "excellents" and the rest of the competition incompletes. But that's not the way things work around here. Nor is it the way things work out there in the land of finicky "Idol' voters. Everyone must stand up and be judged (even if the judges themselves don't understand that).
Excellent
Haley Reinhart, "The House of the Rising Sun": We'll get to the mind-boggling critique of her first song in a second, but for now let's just salute Haley for bouncing back and giving arguably her finest performance of the season with this Animals tune. As the song rose from gentle a cappella intro to full-throated emotional release, the human-hear-me-roar aggression in her voice gave us goose bumps. It was too good for even the judges to slam.
Haley Reinhart, "You and I": Here's the thing: This may have been a Lady Gaga song, but this was certainly not a Lady Gaga performance. And in the judges' insistence that Haley was attempting to reinvent herself as Gaga Lite, we saw the absurdity of their insistence to make the entire show about what kind of recording artist everyone will be. Haley was doing no such thing. If anything, she infused some heavy Janis Joplin into this beautiful and jazzy performance, bringing out Gaga's inherent bluesy-ness in the process. The judges should be ashamed of themselves for this one.
Good
Lauren Alaina, "Flat on the Floor": We're reluctant to say anything as formulaic as, "She's back, baby!," but it's hard to ignore how much more confident Lauren was on Wednesday, compared to her performances over the last month. She was in her country comfort zone with Carrie Underwood's song, stomping around the stage like a cowgirl, and sounding darn good doing it.
Scotty McCreery, "Gone": Look at good ol' Scotty getting his swagger up! This was a more hard-charging performance than we've ever seen from him. He jumped, he skipped, he engaged in a fun call-and-response with his backup singers. What is there to say about his vocals? Not much, since they're always on point.
Lauren Alaina, "Unchained Melody": While this familiar tune didn't outdo her first performance, it was very well done. She dropped the country twang and sang a straightforward ballad, hitting the notes she needed to but not reaching for ones outside her vocal range. And the judges? The judges threw up their hands, abdicated their responsibility and fawned over Lauren like she was one part Carrie Underwood, one part Jesus of Nazareth.
Satisfactory
Scotty McCreery, "Always on My Mind": We couldn't expect Scotty to get semi-experimental twice, could we? For his second song, he was back in familiar territory. Elvis Presley, again. We probably wouldn't complain if the song weren't so sleepy. He just plodded along, a bit drearily, a bit tenderly. After the top-notch first performance, this one was a letdown.
Jacob Lusk, "Love Hurts": Love, much like this performance, can be painful. There was something borderline schizophrenic about the way his vocals slipped and slid from one end of the musical scale to the other. And while the judges applauded the way he brought the song to a conclusion, we'll just say this: We're not sure what happened at the end of "Love Hurts," but it didn't correspond to recognizable human activity.
James Durbin, "Without You": This was a big improvement over his earlier performance, which we'll address below. We always like James better when he's going slow and sensitive. What we're unsure about is all that Lusk-like emotion he displayed during the performance. Is he laying it on too thick, or are we just being cynical? Perhaps both. What we are certain about is there's not a sharp note the judges can't dismiss with empty talk about artistry and emotion.
Unsatisfactory
James Durbin, "Closer to the Edge": In a word: weird! James' vocals began weak and low, then graduated to a sort of pitch-dizzy warbling. This was Adam Lambert with strep throat. We do, however, think 30 Seconds to Mars is a good artistic fit for James. Nonetheless, this performance just didn't work, even if Randy Jackson insisted that, yes, James is in it to win it.
Jacob Lusk, "No Air": As he has all season, Jacob struggled with his phrasing and his dance moves during "No Air." He was shouty, he was pitchy and his diva boogying — which, honestly, we've done our best not to comment on all season — was out of control as he undulated like one of those flailing inflatable men looming over used car dealerships. Thank goodness for Randy, who offered up a reality-based critique after Jennifer Lopez hailed the performance. Jacob, it's been a blast watching you each week, but I think even you can agree, it's time to pack your bags and head home.
Don't miss "Idol Party Live" every Thursday at noon on MTV.com for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty! In the meantime, get your "Idol" fix on MTV News' "American Idol" page, where you'll find all the latest news, interviews and opinions.
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Joanna Krupa Joanne Montanez Jodi Lyn OKeefe Jolene Blalock Jordana Brewster
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Natasha Bedingfield Natassia Malthe Nelly Furtado Nichole Robinson Nicky Hilton
Reworked tune features an opening verse by Minaj as Ke$ha sings atop Spears' vocals throughout the song.
By James Dinh
Britney Spears' "Til The World Ends"
Photo: Jive
Britney Spears isn't the only pop titan dancing until the world ends: Nicki Minaj and Ke$ha have joined forces to add a new spin on an all-female remix of Femme Fatale's second single, "Till the World Ends."
The reworked dance anthem, which leaked online Friday (April 22), appears to have surfaced earlier than expected as noted by a series of countdowns on all three of the stars' websites.
Mixing the dance tune's original sonic swirls with heavier bass, Britney tourmate Minaj starts off the remix by throwing down an aggressive verse, in which she calls out a female hater: "A-A-A-A-A-AYE!/ Chimpanzees is hatin', but I take it all in stride/ Put her in a jungle with bananas on the side/ Told you they'd revive your career, but somebody lied/ I ain't talkin' poultry when I say this chicken's fried."
After Minaj spits a few introductory bars, Spears delivers the song's first verse before an introduction for the all-star trio. "It's Britney, bitch. I'm Nicki Minaj and that's Ke$ha!" the Young Money MC proclaims.
Ke$ha, who originally wrote the track for the pop princess, takes part in singing the club-ready track's chorus. Spears soon takes back control of the song as Ke$ha shadows the singer's lines toward the end of the second verse and bridge. Unlike the original version, the "Till the World Ends" remix also features a stuttering dubstep dance break.
News of a star-studded collaboration was hinted earlier this week when producer Dr. Luke tweeted, "@NICKIMINAJ killed it tonight!!!! thanks!!!"
Have you heard the all-star "Till The World Ends" remix? Share your reviews in the comments!
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